Image Adjustments -- similar to the GL1, you can now adjust certain image settings to your precise shooting requirements; such as Color Shift (toward red or toward green), Picture Sharpness, Color Gain (no color to full color), and Black Level (for shadow details). It works well for capturing and smoothly rendering scenes that contain moderate to rapid motion, but is prone to "combing" artifacts.

I have used it for live events with superb results, the batteries last so long that I have never used more than 1 for a 3-4 shoot leaving it on the whole time. However, I just purchased a DVX100B, with has built in XLR, 24p, 3CCD, etc, and it does everything I need, PLUS it is a fair bit cheaper. Portable, all-in one PowerShot and IXUS cameras ranging from expert creative compacts to superzooms and easy point and shoot options.

Discover how Canon’s PTZ cameras, hardware controllers and apps can transform your remote, multi-camera setups. The XL1S features the exclusive XL interchangeable lens-mount system which, in addition to exclusive interchangeable video lenses, also makes possible the use of a range of Canon’s extensive lineup of EF lenses for EOS 35mm cameras when outfitted with an optional EF mount adapter.

I love the "Power Save" feature as I often shoot with a switcher and had to leave the tape out or the tape bay open to keep the XL1 from shutting down. From photography and filmmaking to printing and craft, get involved to learn, create and collaborate with Canon. I know I can see quite a sharpness difference between the 720 HD from my D300s and the 1080 from the newer little cameras. To replace that would be so expensive, I thought well what if I just use the camera to capture from until the playhead wears out. Keeping one copy pristine, and using the other for logging purposes, is one application for this feature.Analog Video Input -- through both the S-video and RCA composite video jacks, a feature which was missing on the XL1 due to the political climate of the recording industry back in 1997 when that camera was designed. The new 16x manual lens (with a marked barrel and motor zoom) will be available separately for purchase, and is backward-compatible with the XL1.

The Fujifilm XF 23mm F2 R WR delivers a 35mm full-frame equivalent field of view and stands out due to its small size and weather-resistant build. Enjoy high quality performance, low cost prints and ultimate convenience with the PIXMA G series of refillable ink tank printers. The new "IS II" 16x automatic lens (with optical image stabilization) which ships with the XL1S kit will be available separately for purchase, and is backward-compatible with the XL1.At the time of this writing, I have not seen or used the XL1S for myself and user reports will not become available until the camera is released to the market. There's not too much of a market these days, since better cameras can be had for well less than the original cost of the XL1S. However, the primary difference between that lens and this new manual lens (other than the longer focal length of 16x) is a motor for zoom control from the grip, plus automatic iris control and two built-in neutral density filter settings (2. Of course there are also other considerations such as how comfortable the camera is for you personally to use. Outwardly it looks identical to the previous XL1 16x lens, but inside is a new design which reportedly is a significant improvement over the earlier 16x automatic lens.